![]() This is a contentious issue among recording engineers, and the hunt for an interface with clean, transparent gain, is one that all dynamic mic users will inevitably face. As preamps increase in gain, the potential for additional noise, and sound coloring also increases. If you’re using an interface not cut out for the job, you could find yourself needing to crank up the gain.īoosting gain in this way requires the interface to make use of preamp circuitry and depending on the quality of the preamps, this may have adverse effects on the audio. To achieve an acceptable recording level with a mic such as the Procaster, either a gain boosting device such as a Cloudlifter or an interface with good preamps is needed. While there is a multitude of reasons you would want a low sensitivity microphone, it is no secret that low sensitivity makes for a gain hungry microphone. Having tested the device on multiple stands and booms arms ranging in quality, the weight has at no point become a hindrance, easily being held up and maintained in position in each instance. The whole package weighs in at 745g, demonstrating the care and attention put into ensuring a rugged and substantial product. With an all-metal housing, this mic feels built to last. The boosts at these frequencies ensure that any vocal takes are both warm and present in the recording. The frequency response of this microphone sits within the range of 75Hz – 18kHz, and the response curve sees boosts at 150Hz and 7kHz. The Procaster is marketed as a professional broadcasting microphone, and from looking at the specs it is quite clear why. This mic picks up the slack through passive noise reduction in any untreated environment it is placed. ![]() With an internal pop filter and shock mount, out of the box the Procaster is equipped to reduce as much ambient noise and mechanical transmission as possible. How Much Gain does the Rode Procaster Need?Īs previously mentioned, the Procaster is a prime example of high quality, with extremely low sensitivity.The Importance of a Good Audio Interface.This makes them more rugged devices, less prone to internal breakages, another reason why they thrive in a mobile recording setup. Not only do dynamics prove less noisy than a condenser, but they also cost less overall due to no additional amplification circuitry housed internally. It is easy to understand why they are favored in the podcasting community over the high-end condenser microphones. The low sensitivity of these high-end dynamic microphones allows vocals to shine while passively rejecting any echoes or unwanted noise. This is a major bonus especially considering the rise of home and traveling podcasts, which often means sacrificing the luxury of an acoustically treated room. A direct competitor to the long-held benchmark in podcasting microphones – the Shure SM7B, the Procaster is another example of how low-sensitivity dynamic microphones can produce some of the highest quality audio available right now.ĭynamic podcasting microphones boast the advantage of having not only great audio quality but also a low sensitivity, making them ideal for recording in less-than-ideal conditions. The Rode Procaster has quickly become one of the leading products in terms of dynamic podcasting microphones. Please assume all links on this page are affiliate links. As an Amazon Associate we earn from qualifying purchases when you use one of our links. Affiliate Disclosure: The Seasoned Podcaster is supported by its readers.
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